Forgot your password?

We just sent you an email, containing instructions for how to reset your password.

Sign in

  • I interviewed Caesy Oney this morning about his new line for Draught Dry Goods and our conversation meandered, in the way conversations sometimes do, into talk of professional preparedness and artistic authenticity. How you can make a living from making. How craft is sometimes more democratic than art - in craft, anyways, everyone is an expert. And how evidence of the hand, shown through inconsistencies and expertise, both, is important to the story you tell about the objects you make.

    I'm not interested in making personal proclamations, but I am interested in leaving evidence - proof - that I have been here, that my hand, or my voice, has touched this, changed this.
    • Share

    Connected stories:

About

Collections let you gather your favorite stories into shareable groups.

To collect stories, please become a Citizen.

    Copy and paste this embed code into your web page:

    px wide
    px tall
    Send this story to a friend:
    Would you like to send another?

      To retell stories, please .

        Sprouting stories lets you respond with a story of your own — like telling stories ’round a campfire.

        To sprout stories, please .

            Better browser, please.

            To view Cowbird, please use the latest version of Chrome, Safari, Firefox, Opera, or Internet Explorer.